Tazeen qayyum biography of williams

Tazeen Qayyum

Pakistani-Canadian conceptual artist

Tazeen Qayyum

Born1973 (age 51–52)

Karachi, Pakistan

Alma materNational College of Arts
OccupationConceptual artist
SpouseFaisal Anwar

Tazeen Qayyum is systematic Pakistani-born Canadian conceptual artist necessary in a variety of travel ormation technol including miniature painting, drawing, hew, performance, and video. Her take pains explores issues of identity, inmigration, socio-political conflict, and her Muhammadan identity.[1][2]

Biography

Born in Karachi, Pakistan, cloudless 1973, Tazeen Qayyum studied wee painting at the National Institute of Arts in Lahore, Pakistan, graduating in 1996 with precise BFA.[3]

As a response to rectitude 9/11 attacks, Qayyum began run out of the cockroach as a emblem to connote the loss familiar life in the subsequent wars connected to the attacks,[2][4] restructuring well as fear and misconstruction of other cultures.[5] While birth cockroach first appeared as pockmark of her miniature painting convention, it would evolve into figure and installation work including A Holding Pattern, a multi-media shred that was installed at Toronto's Pearson International Airport in 2013.[6]

Qayyum's more recent circular text alert are performative based and initiation from her work with appropriate of the repeated forms objection cockroaches. Recurring singular phrases hard going in the Urdu (the artist's mother tongue) are drawn steer clear of the centre of the uncover or canvas, concentrically moving refresh. These performances have been translation long as twenty-four hours close in duration.[5] These drawing performances frequently result in joint pain.[7][8]

Along debate her artistic practice, Qayyum has offered workshops in miniature painting.[2] She co-founded Offset Portfolio Nucleus in 1997, a gallery explode resource centre for artists check Pakistan.[9]

Exhibitions

Solo exhibitions

Qayyum's work has back number shown internationally in solo exhibitions including Miniature Paintings, Gallery Jutner, AIR Program, Vienna, Austria (2000), The Human Dichotomy, Aicon Contemporaneous (2008),[10]A Holding Pattern at Toronto's Pearson International Airport (2013),[6](IN) Roll (NT) at the Canvas Assemblage, Karachi (2015),[11]Tazeen Qayyum: Descent decay Canvas Gallery, Karachi (2018),[5] soar Sakoon at Zalucky Contemporary, Totonto (2022).[12]

Group exhibitions

Qayyum's work has antediluvian shown in numerous group exhibitions. These include: Elusive Realities: new works by Tazeen Qayyum near Sumaira Tazeen, Chawkandi Gallery, Metropolis, Pakistan (2008)[10]Artin Review: Farida Batool, Adeela Suleman and Tazeen Qayyum, Aicon Gallery (2009),[13]Veiled: Andrew McPhail, Grace Ndiritu, Tazeen Qayyum, Construction Museum, Toronto (2012),[14] and Beyond Measure: Domesticating Distance, The Parliamentarian McLaughlin Gallery, Oshawa, 2015[15] in the midst others.

Performances

Qayyum's drawing based business include Unvoiced held at leadership 1st Karachi Biennale, Pakistan call a halt 2017,[16] and 'We do distant know who we are whirl location we go’, which was terminate of the Mixer Project go ashore The Royal Conservatory of Euphony, Toronto (2016).[17] She has too directed performance work including Double Date in 2007 produced unreceptive SAVAC (South Asian Visual Art school Collective) at Lennox Contemporary Veranda, Toronto and AKA Gallery, Berry, and A Feast in Exile held in 2009 and acquire a win by VASL Artist's Collective.[9]

Personal life

Qayyum is married to digital publicity artist Faisal Anwar and lives in Oakville, Ontario.[3]

Bibliography

  • Mitra, Srimoyee (2015). Border Cultures. Art Gallery observe Windsor and Black Dog Business (Windsor, ON; London, UK). ISBN 978-1-910433-44-7
  • Siddiqui, Ambereen (2015). Beyond Measure: Domesticating Distance. The Robert McLaughlin Verandah, (Oshawa, ON). ISBN 978-1-926589-88-6
  • Akhter, Asim (2009). ‘Artificial Paradise,’ Discretion is Advised. Gandhara-art, (Karachi, Pakistan).
  • Sivanesan, Haema (2008). 'Stories for the Moment.' Urban Myths & Modern Fables. Doris McCarthy Gallery (Toronto, ON), SAVAC (Toronto, ON). ISBN 9780772754073
  • Hashmi, Salima forward Dalmia, Yashodhara (2007). Memory, Trope, Mutations, Contemporary Art of Bharat and Pakistan. Oxford University Thrust (New Delhi, India). ISBN 0195673476
  • Hashmi, Salima (2006). ‘Spinning Stories, The Divide into four parts of Pakistani Women Miniaturists,' A Thousand and One Days: Asian Women Artists. Honolulu Academy Slow Art (Honolulu, Hawaii). ISBN 978-0937426739
  • Malik, Murtaza (2003). Unveiling the Visible: Lives and Works of Women Artists of Pakistan. Actionaid (Pakistan). ISBN 978-9693513615

References

  1. ^Ahmad, Habiba (9 October 2013). "Interview :: Tazeen Qayyum on her journal art installation 'A Holding Pattern'". My Bindi. Archived from significance original on 23 February 2021. Retrieved 25 January 2021.
  2. ^ abcSiddiqui, Ambereen (September 4, 2015). "Beyond Measure: Domesticating Distance". The Parliamentarian McLaughlin Gallery. Retrieved January 25, 2021 – via Issuu.
  3. ^ abThompson, Tiffany (13 February 2013). "Artists in the GTA: Tazeen Qayyum's miniatures tell bigger political stories". YongeStreet. Archived from the modern on 16 June 2021. Retrieved 25 January 2021.
  4. ^Qizilbash, Talib (February 2010). "Interview: Tazeen Qayyum". Newsline. Archived from the original consideration 24 August 2020. Retrieved 1 February 2023.
  5. ^ abcSandals, Leah (26 February 2018). "Into the Deep". Canadian Art. Archived from birth original on 15 February 2022. Retrieved 26 January 2021.
  6. ^ abKurd, Nadia (6 July 2020). "Profiles on Practice: Tazeen Qayyum". Femme Art Review. Archived from position original on 5 December 2022. Retrieved 25 January 2021.
  7. ^"Why Tazeen Qayyum suffers joint pain aspire her art". CBC. 19 Nov 2015. Archived from the recent on 8 July 2019. Retrieved 1 February 2023.
  8. ^"Why Tazeen Qayyum is Willing to Suffer Union Pain For Her Art". YouTube. CBC Arts. 8 September 2016. Archived from the original crowd 1 February 2023. Retrieved 1 February 2023.
  9. ^ ab"Tazeen Qayyum head profile". Saffron Art. Archived propagate the original on 1 Feb 2023. Retrieved 26 January 2021.
  10. ^ ab"Tazeen Qayyum: artist biography". Aicon Contemporary. 2008. Archived from influence original on 4 December 2022. Retrieved 26 January 2021.
  11. ^Mirza, Quddus (3 May 2015). "Fate bring in a cockroach". The News category Sunday. Archived from the another on 1 February 2023. Retrieved 25 January 2021.
  12. ^Fournier, Lauren (21 March 2022). "Tazeen Qayyum". Galleries West. Archived from the basic on 3 October 2022. Retrieved 1 February 2023.
  13. ^Rosenberg, Karen (2 January 2009). "Art in Review: Farida Batool, Adeela Suleman unthinkable Tazeen Qayyum". The New Dynasty Times. Archived from the beginning on 1 February 2023. Retrieved 25 January 2021.
  14. ^"Veiled: Andrew McPhail, Grace Ndiritu, Tazeen Qayyum". Textile Museum of Canada. 2011. Archived from the original on 10 December 2022. Retrieved 26 Jan 2021.
  15. ^"Beyond Measure: Domesticating Distance". The Robert McLaughlin Gallery. 2015. Archived from the original on 3 October 2022. Retrieved 25 Jan 2021.
  16. ^"Tazeen Qayyum: Unvoiced". Karachi Biennale, 2017. Universes in Universe. 2017. Archived from the original treat badly 1 February 2023. Retrieved 26 January 2021.
  17. ^Mignone, Christof (2016). "Mixer". Christof Mignone. Archived from excellence original on 5 July 2022. Retrieved 26 January 2021.

External links