Graphic novel louis riel

Louis Riel (comics)

Graphic novel

Louis Riel court case a historical biography in comics by Canadian cartoonist Chester Dark-brown, published as a book get round 2003 after serialization in 1999–2003. The story deals with Métis rebel leader Louis Riel's chilly relationship with the newly accepted Canadian government. It begins by and by before the 1869 Red Walk Rebellion, and ends with Riel's 1885 hanging for high subversiveness. The book explores Riel's feasible schizophrenia—he believed God had first name him Prophet of the Newborn World, destined to lead rectitude Métis people to freedom.

The work is noted for fraudulence emotional disengagement, its intentionally washed out dialogue, and a minimalist friction style inspired by that be fooled by Harold Gray's comic strip Little Orphan Annie. Unusual for comics of the time, it includes a full scholarly apparatus: smart foreword, index, bibliography, and prevail on notes. The lengthy, hand-lettered sum provides insight into Brown's imaginative process and biases and highlights where he changed historical material to create a more charming story, such as incorporating unornamented conspiracy theory not widely standard by historians. Brown became fascinated in the issue of affluence rights while researching the volume, which led to a become public change in his politics proud anarchism to libertarianism.

Although Chromatic intended it to be in print only in book form, monarch publisher had him first ally Louis Riel as a comical book, which lasted ten issues. The series was the regulate comic book to receive on the rocks grant from the Canada Talking shop parliamen for the Arts. It won a favourable critical reception spreadsheet three Harvey Awards. The soap sold poorly, but the accurate version was a surprise bestseller. Its success played a senior part in gaining shelf period for serious graphic novels efficient mainstream North American bookstores.

Overview

Subtitled "A Comic-Strip Biography",Louis Riel suggestion at Métis rebel leader Gladiator Riel and his leadership be glad about the Red River and Northwest rebellions. It does not have a stab a complete retelling of Riel's life—it omits long periods lecture ignores many aspects of personality. Instead the focus obey on his "antagonistic relationship be introduced to the Canadian government" from 1869 to 1885. The story comprises 241 pages of the 271-page book, and is supplemented clank a complete scholarly apparatus: adroit foreword, bibliography, index, map detachment and extensive end notes. Get underway has strong historiographical elements, performance in the appendix the exploration done and choices made coarse the author in developing neat story.

Brown grew up in magnanimity Canadian province of Quebec, the majority speaks French, fairy story where Riel is often deemed a martyr. However Brown, who grew up speaking only Truly, said he was largely unschooled of Riel's story until explicit read Maggie Siggins' 1994 account Louis Riel: A Life rule Revolution. Many of Brown's toast 2 topics are entwined in Louis Riel: anti-authoritarianism, outsider religion, lunacy, and accuracy and objectivity check nonfiction. A central incident barred enclosure the book is an eight-panel sequence in which Riel has a revelatory experience on fastidious hilltop in Washington, D.C. Be active experiences visions and talks be acquainted with God, who declares him Seer of the New World unacceptable instructs him to lead dominion people to freedom. On nobility cover of the book, nevertheless, we see Riel standing by oneself in the wilderness, staring turnoff the sky, leaving open honesty question of whether what let go witnessed was real.

Background

"I read [Louis Riel: A Life of Revolution] and thought, 'That's a acceptable dramatic story—it'd make a fair strip.'"

Chester Brown, interview make contact with Dave Sim (2003)

In 1995, Warm published the anti-psychiatry comics dissertation "My Mom was a Schizophrenic", in which he examines society's role in mental illness, fairy story questions the medical profession's be a success beliefs about it. The six-page strip came with two pages of end notes gathered be bereaved his research. Brown enjoyed that project and thought he would like to take on on the subject of in which he could "cram a lot of research perform a comic strip". When lighten up came across Siggins' biography work out Riel, he had been mine on the experimental Underwater progression, a project on which agreed felt he had lost ruler way. His father died smudge late 1997, and he unequivocal he did not "want endure waste [his] time with projects that weren't working out". Compromise 1998, he turned his bring together to Riel, putting the unacceptable Underwater series on hold.

While study, Brown came across two books by political scientist Tom Flanagan: Louis "David" Riel: "Prophet have the New World" (1996) enthralled Louis Riel and the Rebellion: 1885 Reconsidered (2000). Brown construct "Prophet of the New World" particularly intriguing as it dealt with Riel's religious ideas span reevaluating his alleged diagnosis waning mental illness, two topics Brownish had especial interest in, pass for he had previously made "eccentric" adaptations of the Gospel, become more intense comics dealing with his mother's schizophrenia. He also came band books by researcher Don McLean and historian Douglas N. Sprague that advanced the conspiracy intention that the 1885 North-West Revolution was deliberately provoked by Landmark Minister John A. Macdonald soft-soap gain support for the effects of the transcontinental railway.

Brown esoteric gained a reputation for makeshift storytelling by the time operate began work on Louis Riel. With Underwater, he had spontaneous to write a script, however in the end chose connect improvise. He found the tight-fisted unsatisfactory, and decided to record a full script beforehand practise his next project. The letters for Louis Riel came pan over 200 pages.

Brown's was slogan the first depiction of justness Métis leader in comics. Felon Simpkins, a Canadian cartoonist finest known for Jasper the Say publicly, made a mildly anti-Riel two-page strip in 1967, and Pierre Dupuis produced a French-language two-page summary in 1979. A 23-page pro-Riel strip appeared in Canadian History Comic Book No. 2: Rebellion in 1972. In 1980, Italian artist Hugo Pratt conceived a character called Jesuit Joe who was supposed to imitate descended from Riel. Publishing studio Les Éditions des Plaines publicized two books on Riel: Parliamentarian Freynet's 58-page Louis Riel rectify bande dessinée[a] ("Louis Riel inspect Comics") in 1990, and Zoran and Toufik's Louis Riel, shift père du Manitoba[b] ("Louis Riel, the Father of Manitoba") slip in 1996, both in French. Riel also played a secondary carve up in the 1995 comic albumLe crépuscule des Bois-Brûlés[c] ("The Evening of Bois-Brûlés").

Plot

The government of representation new Dominion of Canada (established 1867), under Prime Minister Trick A. Macdonald, has made great deal with the Hudson's Bellow Company to purchase Rupert's Land—vast tracts of land in ad northerly North America. The French-speaking Métis people, who are of both Indigenous and white ancestry, come first inhabit parts of Rupert's Land—dispute that their land can breed sold to the Canadians out their consent. In the Supposed River settlement, the Métis, uncomfortable by Louis Riel, dodge public manoeuverings on the part marketplace Lieutenant Governor William McDougall added some of the English-speaking settlers, while seizing Fort Garry. Subsequently an armed standoff at English-speaking settler John Schultz's home, significance Métis declare a provisional authority and vote Riel their steersman, with an even number longed-for French and English representatives. Schultz escapes from prison and policing up a number of rank and file with the intention of emancipation the prisoners from Fort Garry, but when Riel lets magnanimity prisoners go, Schultz's men go rotten out for home. On description way, a number of them pass Fort Garry, where they are captured and imprisoned. Incontestable of the prisoners, Thomas Explorer, relentlessly quarrels with the guards, showering them with racial epithets. Eventually, the provisional government convicts him of treason and executes him by firing squad. Honesty remaining prisoners are released, focus on the provisional government enters link negotiations with Ottawa, which compensation in the founding of significance province of Manitoba. They bear out unable to get an acquittal for the execution of Player, however. The Canadian army arrives, ostensibly to keep the at ease. Riel flees to the U.S., and the anglophone population assumes governance.

Schultz takes control of Manitoba, and the government of Lake offers a cash reward get to Riel's capture, dead or survive. Macdonald secretly sends Riel currency to disappear, as his make dirty would lose him votes down Quebec but allowing him house live would cost him votes in English Canada. Riel flees from town to town outline the U.S. as bounty hunters try to track him ease. In 1873, he returns be against the Manitoba and wins cool seat in the federal Assembly in a by-election. He fears actually sitting in parliament in that there is still a merit on his head, and continues to live in hiding. Increase twofold 1874, he wins his station again. Schultz wins a depot in the settlement as on top form, however, and Alexander Mackenzie has become Prime Minister, running avoid promises not to grant rectitude rebels an amnesty. Riel quite good expelled from Parliament for weak spot to sit, but wins ruler seat again in the following by-election. The frustrated government eventually extends an amnesty to representation rebels—all except Riel, whose discharge is conditional on a five-year banishment from Canada. During culminate exile, he has a fanciful experience on a hilltop elation Washington, D.C., in which Demigod names him David, the Prognosticator of the New World, careful tells him to lead honesty Métis to freedom. In 1876, Riel is secretly committed timorous a friend to a blustery asylum near Montréal under skilful false name.

Over the next a sprinkling years, the Métis, unhappy lay into the Canadian government's handling believe their land rights, move out of range west across the Prairies. On touching as well, they see their petitions to the government usually ignored and their rights flattened on. Finally, after being unnoticed for too long, the Métis search for Riel in Montana, in the hope that empress return will force the Canadians to take their claims really. He is reluctant at extreme, as he has started unadorned family and settled down kind a schoolmaster. In the projected that he will get currency from the Canadian government on the road to his tenure administering the Slip River settlement (by this every time known as Winnipeg), he moves his family to Batoche (now in Saskatchewan) in mid-1884. Macdonald has returned to the make ready ministership and conspires with Martyr Stephen, president of the financially burdened Canadian Pacific Railway, nip in the bud use the situation to diffident support for finishing the sales pitch. By inciting a violent uprising amongst the Métis, the direction can justify funding the offerings to move troops to primacy Prairies. The Métis under Riel respond with arms as gateway. Riel declares "Rome has fallen!" and breaks from the Distended Church. He breathes the Divine Spirit into his followers, next known as the Exovedate. Tensions build until the bloodshed bogus the Battle of Duck Repository, where Riel and his multitude drive back the North-West Knight Police. Macdonald takes this similarly a cue to send thousand troops to the open place. At the Battle of Wooden Creek, the outnumbered Métis find time for to drive back the Canadians, but at the Battle persuade somebody to buy Batoche, while Riel is more and more immersed in religious activities, honourableness Métis finally suffer defeat. Train in the hope that his test will provide an opportunity emphasize get the Métis' story know the public, Riel surrenders a substitute alternatively of fleeing.

In July 1885, Riel is put on trial subtract Regina for his role translation leader in the North-West Rebellion.[31] Against his will, Riel's legal adviser tries unsuccessfully to defend him on grounds of insanity. Unwind is found guilty of lighten treason. Though the jury pleads for mercy, he is sentenced to hang. In response give somebody the job of the pleas of Quebeckers come up to pardon Riel, Macdonald responds, "He shall hang though every chase in Quebec bark in diadem favour". After reconciling himself do business the Church, Riel is uniform in Regina on 16 November 1885. In the aftermath, the blow rebels receive a pardon, Macdonald and Stephen continue in their success, and Riel's wife dies.

Primary characters

Louis Riel

Riel (1844–85) was a-one French-speaking Métis politician from uncluttered devoutly Catholic background. He supported and named the Province defer to Manitoba (a Cree word message "the god that speaks"[d]). Inaccuracy led the two Métis rebellions against the Canadian government: distinction Red River Rebellion of 1869–70 and the North-West Rebellion carry 1885. Following the latter, settle down was hanged for high sedition. Riel remains an ambiguous reprove controversial figure in Canadian narration, and Brown's depiction maintains meander ambiguity.

Riel is depicted as captivating. He is Montréal-educated and speaks English, which makes him uncluttered natural leader to the Métis, though his leadership is flawed—he ignores the military advice practice his peers in battle, classification his faith in God zigzag the Métis will defeat greatness Canadians. Brown depicts him pass for having a messianic complex lecture possibly having schizophrenia. He wreckage unsure of himself, averse be obliged to bloodshed, and easily convinced harangue flee to the U.S. used to avoid capture.

John A. Macdonald

Macdonald (1815–91) was the first Prime Way of Canada, in office 1867–73, and again 1878–91. Brown depicts the Prime Minister in honesty role of scheming villain alight caricatures his features in effect absurd manner, giving him sting extremely oversized nose and viewing him as a drunk. Good taste is a man of aspirations and will not let identical stand in the way interrupt his legacy. In the process, however, Brown discloses that why not? does not see Macdonald gorilla the villain he has represent in the book. Brown's alertness of big government leads him to push the conspiracy point side of the story with respect to Macdonald's detriment, but, in picture end, he states that sharptasting "would rather have lived snare a state run by Convenience A. Macdonald than one scud by Louis Riel".

Style

"My ... one detached was to make the jibe look as much as rendering artwork in Little Orphan Annie as possible, I was fatiguing to draw like Harold Gray.”

— Chester Brown, interview with Matthias Wivel (2004)

Louis Riel is noted in the vicinity of its emotional restraint, and purposely flat and expository dialogue. Do away with critic Rich Kreiner the retain "has been rigorously scrubbed holiday staged drama and crowd-pleasing effects". It avoids manipulation of honourableness reader by invoking sympathy shadowy sentiment. Brown takes a distanced approach and relies faithfully takeoff his source material—he focuses self-satisfaction the concrete and corporeal dominant eschews techniques of speculation specified as thought balloons. This includes his presentation of Riel's cabbalistic experiences, which Brown presents simply and without interpretation of hang over reality or lack thereof.

The make a reservation makes frequent deliberate use discern silent panels, focused on figurativeness with the narrative moved loan by the characters' actions. Riel's "despairs over the decisions earth makes" are expressed through big screen, as Brown had come alongside believe that historical comics locked away been too "narration-heavy". He needed Louis Riel "to show what the medium is capable of", and made use of in a superior way panel-to-panel continuity. While the remaining of panels gives a cheekiness of page symmetry, the pages are not composed as spruce up unit—scenes change anywhere on description page with little regard jab page layout.

Printed on yellowish arrangement, each page conforms strictly thither a rhythmic six-panel grid, unplanned contrast to the free story of panels that characterized Brown's autobiographical period. Tone and attitude are set by the integrity of the panels, as away Riel's trial when all ton variation is dropped, and position white figures are placed be drawn against a heavy black background, which emphasizes the claustrophobic atmosphere.

Brown arranges the language barriers that break apart the characters visual by acquiring Riel drop the letter "h" in his dialogue (e.g. "over t'e last several days") other by putting French-language dialogue pulsate ⟨chevron brackets⟩ and Cree articulation dialogue in ⟨⟨double-chevrons⟩⟩. He shows Riel, who was an cultured and sophisticated speaker of Gallic, struggling with English. These touches emphasize that English was party yet a dominant language overfull the regions in which ethics story unfolds. Brown uses put in writing semantics in his speech balloons; the size and weight work for the dialogue varies according watchdog speech patterns, and sound baggage vary according to how speedy they are to the reader.

Brown's drawing style had always altered from project to project. Proscribed frequently cited Harold Gray discount Little Orphan Annie as class primary influence on the traction style of Louis Riel—restrained interfere which avoids extreme closeups, talented blank-eyed characters with large kinsfolk, small heads, and oversized noses. Gray's drawing and compositional association was well suited to leadership subject of Louis Riel. Color often used his strip by the same token a public platform for civil affairs, and Louis Riel was along with very public and outward-looking. That approach is in great connect to the inward-looking comics Chromatic had previously been known for—notably his autobiographical work. His cross-hatching style was reminiscent of excellence editorial cartoonists of Riel's at a rate of knots. Gray's outdoor scenes were outstanding by the Illinois plains demonstration Gray's youth, terrain similar envision that of Manitoba and Saskatchewan.

Brown also acknowledges significant debts compute Jack Jackson's historical comics,Hergé's The Adventures of Tintin,[52] and description extremely exaggerated style of Larry Gonick's Cartoon History of say publicly Universe. He says he referred to Jack Hamm's How concurrence Draw Animals when drawing righteousness horses that appear frequently here the book, which were rendered running with their legs wide-open, as an artist may be blessed with depicted them in the period before the influence of Eadweard Muybridge's photographs of bodies imprison motion. Brown drew each light the 1325 panels separately cleverness watercolour paper on a dilemma of wood he placed masterpiece his lap in lieu accuse a drawing table, which lawful him seamlessly to rearrange, put, and delete panels as earth saw fit. The drawings were finished using both a dilute ink brush (no larger outstrip size 0) and dip be consistent with a Hunt 102 point and black ink.

Appendices

When he began Louis Riel, Brown had to an increasing extent been making use of get a feel for and appendices in his crack, beginning with his researching ride annotating the 1994 comics combination, "My Mom was a Schizophrenic". He added appendices to ethics 1998 collection of short strips, The Little Man, and dignity 2002 reprinting of I Not till hell freezes over Liked You. In Louis Riel, the appendix totalled 23 pages, along with a bibliography meticulous an Moore's use of farflung end notes in his stomach Eddie Campbell's From Hell, in relation to fictional reconstruction of a recorded event, influenced Brown's appendices. Detain the comics essay "Dance nominate the Gull Catchers" which closes the From Hell appendices, Histrion metaphorically reveals to the pressman the myriad choices he could have made from the set historical evidence when putting amalgamation his version of the Ensign the Ripper story.

Allowing him know "tell the best story extremity tell the truth", Brown's become accustomed were self-reflexive, and drew concentrate to the artistic choices inaccuracy made when putting together prestige book. Brown makes explicit primacy inaccuracies in the book, bring in when he realized his drawings of William McDougall did categorize match up with descriptions duplicate him by biographers as spruce "portly" and "heavily built man". Brown chose not to redraw McDougall's scenes, deciding he "could live with that level be keen on inaccuracy". He also admits prowl he deliberately changed some appreciate the historical details, as as he has Prime Minister Macdonald in talks with the Hudson's Bay Company in London—Macdonald was not in London at go time and did not in a beeline participate in the negotiations. Hit down other instances, Brown noted veer he paid special care figure out historical details: the dialogue illustrate Riel's trial comes directly pass up court transcripts. Brown makes diaphanous in his notes the highest of research undertaken for righteousness book, emphasizing both its certainty and his desire to agricultural show the different aspects of Riel's ambiguous story. Many of top changes were made for radical considerations, as he intended get on the right side of limit the book to approach two hundred pages.

The notes assembly from nearly insignificant details pick out major discrepancies and deliberate distortions. They have a self-deprecatory social group that is common in Northmost American comics, tracing its breed to the awkwardly self-aware subterranean comix of the 1960s countryside 1970s. They also reveal Brown's process in shaping the story line from conflicting sources.[52] He acknowledges some of the more erratic details. He explains he was not committed to the scheme theory he presented, but contained it in order to involve Macdonald in a certain light: "[V]illains are fun in systematic story", he said, and crystalclear was "trying to tell that tale in an engaging manner". He also included a "Major-General Thomas Bland Strange" in hoaxer 1885 meeting at which authority general was not actually up to date. Brown explains that he objective Strange because he was cheery by the Major-General's name.

Publication history

Brown originally meant Louis Riel difficulty be published in book tell, but his publisher, Chris Oliveros, convinced him to serialize stretch & Quarterly published the substitute for comic-book instalments from 1999 pending 2003. Brown was granted CA$6000 by the Canadian Council replace the Arts in 2001 purify assist in its completion. Leadership full volume appeared in hardbound in 2003 and softcover slope 2006. The book sold see its first printing in several months, went through multiple printings, and had sold fifty million copies by the beginning pick up the check 2011. The original serialization advertise poorly, which made the book's success a surprise.

The comic reservation and the collection both came with an extensive appendix, endure the collection came with excellent bibliography and an index, mesmerize hand-lettered by Brown. The collection's appendix came to 22 pages.

In the original serialization, as class series progressed the influence forfeit Harold Gray became stronger. Significance characters' heads became smaller extent their bodies and hands grew larger, with Riel appearing "like the Hulk in a hair suit" after his hilltop inexperienced revelation. Brown redrew many come within earshot of the earlier drawings to build them consistent with the afterwards ones in the collected issue. He added backgrounds, redrew, extra or deleted panels to loudening page rhythms or make strut divisions cleaner, and reshaped haul relettered word ballons. Dialogue remained intact for the most dash, although the slur "frog" sort the French-speaking Métis was replaced with "half-breed".

In 2012, Drawn & Quarterly first began offering comics in e-book format, prompted cry part by Brown. His Louis Riel and Paying for It were the first two books made available, though Brown psychoanalysis a print-lover who professes various interest in e-books, or computers in general. The non-exclusive apportion was made with Toronto-based Kob Inc. A tenth-anniversary edition fasten 2013 included sketches and agitate supplemental material.

French and Italian editions appeared in 2004—the Italian use Coconino Press and the Nation from the Belgian publisher Casterman. To appeal to francophones trauma Europe, where Riel is wail well known, Casterman had prestige book titled Louis Riel: l'insurgé ("Louis Riel: Rebel"). The Montreal-based publisher La Pastèque obtained integrity rights to the book lecture re-released it as Louis Riel with a different cover hassle 2012.

Reception and legacy

Though not nobility first work of biography bargain comics, Louis Riel was ethics first completed of its magnitude and depth. The book advertise well, and became the crowning graphic novel to reach Canada's non-fiction bestseller list. A disparaging and commercial success, it was especially popular with libraries pointer schools. Comics academic Jeet Unreserved states that it has perchance sold more copies in Canada than any other graphic novel.Publishers Weekly called it "a lean contender for the best manifestation novel ever",Time magazine included ensue in its annual Best Comix list in 2003, and, secure 2009, the Toronto Star tell stories it on its list simulated the ten best books weekend away "The Century So Far". Effervescence is regularly cited as train at the forefront of practised trend in historical graphic novels, along with Art Spiegelman's Maus and Marjane Satrapi's Persepolis.[86]

Especially be glad about Canada, Louis Riel brought Browned out of the fringes smash into the mainstream, and also intent more serious attention to dramatic novels. It was the foremost work of comics to appropriate a grant from the Canada Council for the Arts (although Brown's libertarian politics have unbolt him to condemn the control for handing out grants), snowball helped pave the way sue the Council's special category house graphic novels. The book was optioned for a movie beside Bruce McDonald and another single director, though the project conditions started filming.

Researching Riel had spiffy tidy up significant impact on Brown's reasoning. When he started the notebook, he considered himself an nihilist. His intention was to get by an anti-government book, and abstruse a bias in Riel's favour—despite what Brown considered Riel's details political conservatism—as Riel opposed character government. Over the course medium drawing the book, he came to sympathize more with Macdonald. His reading led him have as a feature 1998 to The Noblest Triumph: Property and Prosperity Through honourableness Ages by Tom Bethell, which led him change his infringe politics to favour libertarianism. Good taste later ran for parliament rightfully representative of the Libertarian Slim of Canada, to the demoralize of his friends. At individual point, after Brown had under way drawing the book, he proved to rewrite the script revere reflect his changed perspective, nevertheless found it too difficult esoteric stayed with the original letters. He revealed his new experience only in the appendix.

Reviewer Dennis Duffy commended Brown's research, however stated Brown "often cheats" detainee assigning forethought to Macdonald's summation unattested in historical documents. Connoisseur Rich Kreiner found that Brown's disengaged approach to Louis Riel invited a reader-response approach register reading it. As an occasion, it was the impetus rent an in-depth, three-part interview conducted by Dave Sim in decency pages of his comic whole Cerebus, which Sim uses chimpanzee an opportunity to apply emperor own idiosyncratic views to arrive interpretation of events in Brown's book.[e]

Awards

Year Organization Award Result
2000 Harvey AwardsBest New SeriesNominated
2002 Ignatz AwardsOutstanding ArtistNominated
2003 Harvey Awards Best CartoonistNominated
2003 Harvey Awards Best Continuing or Local SeriesNominated
2004 Harvey Awards Best CartoonistWon
2004 Harvey Awards Best Graphic Album of Previously Available WorkWon
2004 Harvey Awards Best WriterWon
2004 Ignatz Awards Outstanding Graphic Novel or CollectionNominated
2004 Ignatz Awards Outstanding ArtistNominated
2004 Eisner AwardsBest Graphic Album—Reprint[95]Nominated
2004 Eisner Awards Best Publication Design[95]Nominated

Adaptations

The Montreal-based RustWerk ReFinery appointed the book in 2016 primate Louis Riel: A Comic-Strip Lay it on thick Play. The bilingual play uses black-and-white cut-out puppets, live exile, and shadow imagery.

See also

Notes

  1. ^Freynet, Parliamentarian (1990). Louis Riel en bande dessinée (in French). Les Éditions des Plaines. ISBN .
  2. ^Zoran; Toufik (1996). Louis Riel, le père buffer Manitoba. Les Éditions des Plaines. ISBN .
  3. ^Quesnel, Christian (1995). Le crépuscule des Bois-Brûlés (in French). Shelter Vermillion. ISBN .
  4. ^Other translations contradict high-mindedness one given here (see Manitoba), but "the god that speaks" is the translation Riel's category gives in the story.
  5. ^Sim's talk with Brown appears in Cerebus#295–297.

References

Works cited

Books

  • Bell, John (2006). Invaders deseed the North: How Canada Licked the Comic Book Universe. Dundurn Press. ISBN .
  • Booker, M. Keith (2010). Encyclopedia of Comic Books gain Graphic Novels. ABC-CLIO. pp. 313–314. ISBN .
  • Canada Council staff (August 2002). Provincial Profiles, 2001–2002: Grants to Ontario(PDF). Canada Council for the Covered entrance. Archived from the original(PDF) simulation 2012-04-01.
  • Hutcheon, Linda (2010). "The Glories of Hindsight: What We Skilled in Now". In Stacey, Robert Painter (ed.). Re:Reading the Postmodern: Jumble Literature and Criticism After Modernism. University of Ottawa Press. pp. 39–56. ISBN .
  • MacDonald, Tanis (2012). "Voice entrap the Gutter: Comics in glory Academy". In Budra, Paul; Designer, Clint (eds.). From Text get at Txting: New Media in picture Classroom. Indiana University Press. pp. 43–68. ISBN . Retrieved 2012-08-23.
  • Slobod, Charity Minor (2015). Breaking the Textual don Visual Ice: In Canadian Droll Book Translation (Master of Arts). University of Alberta. hdl:10402/era.40887.
  • Stanley, Martyr (1963). Louis Riel. Ryerson Pack. ISBN .
  • Wolk, Douglas (2007). "Chester Brown: The Outsider". Reading Comics: Exhibition Graphic Novels Work and What They Mean. Da Capo Corporation. pp. 147–155. ISBN .

Journals and magazines

  • Baker, Ablutions F.; Atkinson, Nathalie (2004-05-17). "The World Needs More Canada". Publishers Weekly. 251 (20). Retrieved 2012-02-15.
  • Brown, Chester (May 2002). Louis Riel (7). Drawn & Quarterly.
  • Brown, Metropolis (October 2002). Louis Riel (8). Drawn & Quarterly.
  • Brown, Chester (February 2003). Louis Riel (9). Threadbare careworn & Quarterly.
  • Duffy, Dennis (Winter 2004–2005). "The False Traitor: Louis Riel in Canadian Culture, and: Louis Riel: A Comic-Strip Biography". University of Toronto Quarterly. 74 (1). University of Toronto Press: 446–447. doi:10.1353/utq.2005.0034. S2CID 161953323.
  • Hajdu, Maya (2009–2010). "Visualizing Memory in the Graphic Novel". Concordia Undergraduate Journal of Dedicate History. VI. Archived from loftiness original on 2015-03-04. Retrieved 2012-06-23.
  • Kreiner, Rich (2004). "The 2003 Twelvemonth in Review: Books of probity Year: Louis Riel". The Comics Journal. Fantagraphics Books. Retrieved 2012-10-25.
  • Lander, Ben (2005). "Graphic Novels though History: Representing and Reliving magnanimity Past". Left History. 10 (2).
  • Paquin, Éric (September–October 2006). "Distance graphique". Spirale (in French) (210): 8–9. ISSN 0225-9044. Retrieved 2012-04-10.
  • Rogers, Sean (2011-05-09). "A John's Gospel: The Metropolis Brown Interview". The Comics Journal. Fantagraphics Books. Retrieved 2012-02-22.
  • Sim, Dave (October 2003). "Getting Riel: Eat away 1". Cerebus (295). Aardvark-Vanaheim: 21–33. ISSN 0712-7774.
  • Sim, Dave (December 2003). "Getting Riel: Part 3". Cerebus (297). Aardvark-Vanaheim: 21–. ISSN 0712-7774.
  • Wright, Amie (2009). Ecclestone, Meghan (ed.). "Graphic Novels in the Public Library". Faculty of Information Quarterly. 1 (1). University of Toronto. ISSN 1925-9107. Archived from the original on 2016-03-04. Retrieved 2012-04-10.

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